Music Composers, Authors & Songs

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Kenton, Stanley
272
Christmas"; "Who Dat Up Dere"; "I Just Kissed Your Picture Goodnight"; ''Love Is Like a Cigarette"; The White Cliffs of Dover"; "I Never Mention Your Name"; "Mama, I Wanna Make Rhythm"; "Too Much in Love"; "When the Roses Bloom Again"; "Apple Blossoms and Chapel Bells"; "Country Boy"; "I Cross My Fingers"; "The Last Mile Home ; "Ah! But It Happens." Home: New York, N.Y. Address: c/o ASCAP.
Kenton, Stanley (Stan), composer, conductor, pianist; b. Wichita, Kans., Feb. 19, 1912. ASCAP 1946. Educ.: Los Angeles public schools. Played piano, various cafes and in radio. Asst. musical director Earl Carroll's Theatre Restaurant. In 1941 organized own band. In early 1950, organized forty-piece concert orchestra called "Innovations in Modern Music" for yearly Nationwide Tour. Works: "And Her Tears Flowed Like Wine"; "Eager Beaver"; "Artistry in Rhythm"; "Southern Scandal"; "Artistry Jumps"; "Painted Rhythm"; "Concerto for Doghouse"; "Opus in Pastels." Home: Los Angeles, Calif. Address: c/o ASCAP.
Kerby, Paul, composer, author; b. Johannesburg, Union of South Africa, Jan. 9, 1903. ASCAP 1948. U.S. citi­zen. Educ.: in England Director of musical and dramatic presentations, Capitol Theatre, New York. Asso­ciated directer of Salzburg Festival 1927; 1934 staged and directed of­ficial Austrian program at Chicago Centennial. Under contract to motion-picture producer, Hollywood, 1937-41. Works: "Viennese Memo­ries"; "Rosalinda, Love of Mine"; "Oh Jiminy, Oh Jiminy"; "Laughing Song ; "Csardas"; "Melodrama. Home: W. Los Angeles, Calif. Ad­dress: c/o ASCAP.
Kerker, Gustave A., composer; b. Herford, Westphalia, Germany, Feb.
28, 1857; d. New York, N.Y., June 29, 1923. To U.S. 1867. ASCAP 1914 (charter member; director 1914-23, one of nine original founders of ASCAP.) Of musical parentage. At seven, mastered cello. Leader, theater orchestra. At twenty-two, composed first operetta; Cadets, which toured the South four months. Conductor N.Y. Casino, other theaters. First Broadway production The Pearl of Pekin, 1888. Other New York oper­ettas: The Belle of New York (re­vived 1921 under title: The Whirl of New York), Lady Slavey, The Tele­phone Girl, The Whirl of the Town, The Billionaire, Winsome Winnie, Two Little Brides, The Tourists, The Social Whirl, The American Beauty. Also had two German operettas pro­duced in Berlin and Vienna, Schnceg-lockchen (Snowdrop), and Die Ohe-ren Zehntausend (The Upper Ten Thousand). Conducted orchestra for most New York appearances of Lil­lian Russell; wrote one operetta for her: The American Beauty. Songs: "In Gay New York"; "Baby, Baby"; "It's Nice to Have a Sweetheart"; "La Belle Parisienne"; "Teach Me How to Kiss Dear"; "They Call Me the Belle of New York"; "Gollv Charlie"; "Bon Tour Monsieur'; "Cynthia Jane"; It's Forty Miles from Schenectady to Troy"; "Tally-Ho"; "Loud Let the Bugles Sound." Address: Estate, c/o ASCAP.
Kern, Jerome, composer; b. New York, N.Y., Jan. 27, 1885; d. New York, N.Y., Nov. 11, 1945. ASCAP 1914 (charter member; director 1924-29, 32-42). Educ.: New York public schools; Newark High School; New York Coll. of Music. First musi­cal education with mother, piano. Advanced piano studies with Alex­ander Lambert and Paolo Gallico; harmony, Dr. Austin Pearc-3 and Al­bert von Doenhoff; composition, England, Germany. Wrote music for student shows Newark High School;